I guess this is the place where people usually contemplate the role of digital music and the difference in how we listen to it. Sure, things are different now. From someone who has never owned an iPod, still burns mp3 CDs to listen to in the car and hasn't bought a new album in five years it would be insane to dismiss the significance of the mp3 era.
And what has really changed? Well. When I was 14 it was a pretty big deal to pony up $15 for the Tribe Called Quest album I had only head once, much less a collection of songs recorded from the radio in Baghdad or Stravinsky's Rite of Spring. Sure, those are things I've listened to and enjoyed, but there are musical horizons I never would have broken without the wide and cheap availability that music comes with now.
So this decade was characterized by the wide distribution of musical styles that we never would have spent the money to become knowledgeable about, and the music itself reflects that more and more. Between the Timbaland-led pop revolution jacking beats from middle eastern music and samples from funk and soul, the U.K.'s Motown revival of artists from Jamie Lidell to Amy Winehouse, the Beach Boys on acid sounds of bands like Animal Collective and Radiohead it's easy to see how the availability of digital recording and distribution have changed things.
So I guess I'll start with the honorable mentions. Here are a couple of albums that never seem to find their way onto my playlist, but still are significant in some way.
Kid A
I would compare the release of this album to the fall of the Berlin Wall. We were all Radiohead fans and after years of obsessive listening to The Bends and OK Computer this album came so far out of left field that most of us just sat in mystified silence when we first listened to it. It just sounded different, and at the very beginning of a decade it encompassed a world of new possibilities. That winter I felt so cold and disconnected I must have listened to it 100 times. Within the next five years it had become the soundtrack of dozens of dreary parties where stoned 20somethings quietly sang or mouthed the words. In the same breath that Kid A defined the sound of a new decade of popular music outside the mainstream it laid the groundwork for my personal dissatisfaction with the whole scene.
Still, it's a great record. I'm just sick of hearing it.
Stories from the City, Stories from the Sea
Their releases were close enough that this felt like a companion piece to Kid A. That coupled with the Thom Yorke cameos and complete sidestep from another artist we were all familiar with made this another strange cult record. It got a lot of spins too, but it eventually wound up in a dusty pile with the other introspective and morose records from the beginning of the decade.
Yankee Hotel Foxtrot
Remember when everyone was crazy about this album? It seemed like it lasted no time at all. The leak, the record label SNAFU and the lore and hype that came from it seemed to overshadow the album itself. Jeff Tweedy, king of the hangover poets warbled and innovated, but while the critics lauded the album it always felt jarring and exhausting to listen to to me. The lead in to "Heavy Metal Drummer" always confused me. Did the album really need a single? Especially a single that sounded nothing like the rest of a concept album from a group of career underdogs?
Still, I remember crooning "disposable dixie cup drinkin'" at last call next to the Howard's jukebox, exchanging looks with the other habitual drunkards; it was the soundtrack to our realization that we had done this too many times.
Fleet Foxes
Much like YHF, this album showed up nearly a full year before its actual release. By the time things were sorted with the label and the album dropped behind a later-recorded but earlier-released EP we'd all been hearing it in every coffee shop and brunch place in Portland for months. Appropriately enough, they even toured behind Wilco and played to a packed house at the Doug Fir (I had to work) and then headlined Sasquatch (worked again) and finally made a return trip to an even bigger venue (work). But I hear they were really great.
Yep. And that's it for now. I'll post the actual top albums in a bit.